Command entry:Select one or more objects. Modify panel Modifier List Object-Space Modifiers Unwrap UVW
Command entry:Select one or more objects. Modifiers menu UV Coordinates Unwrap UVW
The Unwrap UVW modifier lets you assign mapping (texture) coordinates to objects and sub-object selections, and to edit those
coordinates by hand as well as with a variety of tools. You can also use it to unwrap and edit existing UVW coordinates on
an object. You can adjust mapping to fit on Mesh, Patch, Polygon, HSDS, and NURBS models using any combination of manual and
several different procedural methods.
You can use Unwrap UVW as a self-contained UVW mapping tool and texture-coordinate editor, or in conjunction with the UVW Map modifier. In the latter case, you usually do so in order to use a mapping method unavailable in Unwrap UVW, such as Shrink Wrap. You
can animate UVW coordinates by turning on the Auto Key button and transforming the coordinates at different frames.
In using Unwrap UVW, you usually break up the object's texture coordinates into smaller groups known as clusters. That way
you can position the clusters precisely over different areas of the underlying texture map for optimal mapping accuracy. Each
of these clusters has an outline called a map seam which appears superimposed over the object in the viewports. This helps
you visualize the locations of mapping clusters on the object surface. You can toggle this feature and set the line thickness
with the Display settings.
Open UVW map seams shown on head model in viewport
Unwrap UVW Modifier Improvements
In Autodesk 3ds Max 2012, the Unwrap UVW modifier has been improved significantly to provide an optimized workflow and new features. The modifier
rollouts on the Modify panel now include icons for faster comprehension, and the editor contains new rollouts with a large
number of tools that were previously available only from menus, plus upgraded toolbars. The new rollouts include tools for
flattening texture coordinates and packing and stitching UV clusters. Among the new tools are several for aligning texture
coordinates, and, most significant, the Peel toolset for easy, intuitive unwrapping of complex models.
Even if you're familiar with the Unwrap UVW modifier, it is highly recommended that you review this topic carefully, as well
as the following topics:
Rather than creating a large modifier stack by first making a sub-object selection of faces and then adding a UVW Map modifier
to specify the type of mapping, you can use the Unwrap UVW modifier to do both. You can select sub-object vertices, edges,
or faces/patches, store sub-object selections as named selections, map them using planar and other methods, and then edit
the UVW coordinates for each sub-object selection, all from within the Unwrap UVW modifier. For example, to map a character's
face using three planar maps, you could create three sub-object selections of the front and sides of the face, planar-map
the selections individually, and then edit the UVW coordinates for each selection, all without leaving the Unwrap UVW modifier.
Support for Multiple Unwrap Objects
Instancing capabilities in Unwrap UVW make it easy to apply texture coordinates across several objects. First select the objects,
then apply Unwrap UVW. When you open the editor, you’ll see the mapping coordinates for all selected objects containing the
instanced modifier. The editor shows each object’s wireframe color to help you see which set of coordinates belong to each object.
Left: Two objects’ UVW coordinates in the editor, showing wireframe colors.
Right (inset): The objects with a shared Unwrap UVW modifier in the viewport.
TipThe UVWs of different objects typically start out overlapped in the editor, so it’s a good idea to separate them before editing.
To save time, use one of the Pack tools.
What Happens to Existing UVW Coordinates
When you apply the Unwrap UVW modifier, it stores the object's current mapping coordinates in the modifier. If the object
has no mapping coordinates, the modifier creates new ones by applying planar mapping. If the incoming data on the stack is
a face-level or polygon-level sub-object selection, then only the UVWs for the selected polygons are brought into the modifier.
When the modifier is evaluated, its UVWs are reassigned to the object flowing down the pipeline. So if the UVWs upstream are
changed, the changes won't make it past the Unwrap UVW modifier. If the Unwrap modifier is operating on a selection of polygons,
then upstream changes to unselected polygons will still be able to flow past the Unwrap modifier.
Native Support for HSDS, Polygon Object, and Patch mapping
Unwrap UVW supports polygon faces and Bezier quad and tri patch faces in addition to triangles and quads.
Below is a sample of what the various face types look like based on the incoming type. For HSDS and Poly surfaces, the basic
interface remains the same, except that the maximum number of sides per polygon increases from 4 to over two billion. HSDS
supports only one level of detail: the level at which the mapping was. Patches have handles on nonlinear vertices. These handles
work just like regular patch handles.
Polygons and faces from HSDS and Poly surfaces; handles appear for nonlinear vertices
Although not its primary purpose, you can use the Unwrap UVW modifier to freeze UVWs. You can apply mapping after an animated
deformation and have the mapping stick to the object. For example, you can apply Unwrap UVW above a Morpher modifier in the
modifier stack, apply planar maps and edit the UVW coordinates. The mapping will follow the morphing geometry.
To perform quick planar mapping:
You'll find the Quick Planar Map controls on the Edit UVs rollout of the Unwrap UVW modifier.
Apply Unwrap UVW to an object.
Go to the Polygon sub-object level.
Make sure (Display Quick Planar Map) is on.
Select the polygons to map.
The Quick Planar Map gizmo appears juxtaposed over the face selection, showing the default Averaged Normals mapping. Even
though the X button displays by default, Averaged Normals is the default setting.
Quick Planar Map gizmo superimposed over selected polygons
To use a different orientation for the mapping, choose X, Y, or Z from the flyout.
To apply the mapping, click (Quick Planar Map). To map additional faces, proceed from step 3.
To use Unwrap UVW with the standard mapping methods:
This procedure offers a general overview of using the basic Unwrap UVW tools available on the Modify panel and the Edit UVWs dialog. Unwrap UVW provides many additional tools not described in this procedure, particularly in the editor.
Apply the modifier and a textured material (typically containing an image- or pattern-based Diffuse map) to an object. Set
the material to display in the viewports, set at least one viewport to be shaded (for example, press F3 to toggle between wireframe and shaded), and, if necessary, turn off Shade Selected Faces (press F2) for that viewport so the texture mapping is visible.
Go to the Polygon sub-object level of the Unwrap modifier and make a selection of contiguous polygons. You'll use a single
mapping type on this selection.
Within the single modifier, you can apply as many different mappings as you like to different polygon selections.
Name the polygon selection using the Named Selection Sets function on the main toolbar. This step isn't required, but is recommended so you can easily restore the selection for subsequent
mapping adjustments. For example, if you're working on a house, you could use names such as roof and front.
ImportantAfter typing the selection set name, be sure to press Enter.
On the Projection rollout, click the appropriate mapping type button (Planar Map, Box Map, and so on) and then adjust the gizmo using any combination
of the transform tools (Move, Rotate, Scale) in the viewports and the Align Options tools (Align To X and so on) on the Projection
The mapping options on the Projection rollout (top row) from left to right:
Planar, Cylinder, Sphere, and Box
TipTo reset the mapping to the default, click (Best Align).
Each time you adjust the mapping gizmo, the texture display in the viewports updates to reflect the mapping changes.
You can also open the editor (Edit UVs rollout Open UV Editor) to view the changes in the generated texture coordinates as you adjust the gizmo.
To exit mapping for this polygon selection, click the mapping type button again.
Continue making and naming selections and applying mapping until the entire mesh is mapped. Use the green seam display lines
as a guide. If you don't see them, make sure Configure rollout Display Group Map Seams is on.
By default, the editor displays a checkered background. To view the map in the material on the object, you need to change
At the right end of the editor upper toolbar, click the drop-down list that currently reads CheckerPattern (Checker) and choose
the map that's applied to the material.
The map appears as the background.
By default, all the UVW clusters display. To work on one cluster at a time, you need to filter the UVWs.
On the Edit UVWs dialog lower toolbar, click (Display Only Selected Faces).
At this point, the editor shows only polygons you select in the viewport, and hides the rest. You can select polygons to show
directly in the viewport, or choose a named selection set. In the next step, you'll use the latter method.
On the main toolbar, open the Named Selection Sets drop-down list, and choose one of your named selection sets.
The viewports show the selection as active, and the UVW coordinates for the selection appear in Edit UVWs window.
In the Edit UVWs window, select and move one or more UVW polygons.
In the viewports, the texture slides around the selected portion of the object mesh.
Choose a different selection set and edit its UVW coordinates.
Again, the viewport display reflects the editing changes.
In a viewport, drag a region to select a group of polygons.
The polygons' UVW coordinates display in the Edit UVWs window. This is another way of choosing what you want to work on.
As you can see, from within the Unwrap UVW modifier you can assign multiple mapping types to different, optionally named polygon
selections, and then edit the UVW coordinates to fine-tune map placement on the geometry.
To export texture coordinates to a paint program:
Once you've laid out an object's texture coordinates in the Unwrap UVW modifier editor, you can use this feature to export
them to a paint program for creating the texture map.
TipAlternatively, you can use the Viewport Canvas feature to paint a texture directly onto the object surface within the 3ds Max viewport.
Apply the Unwrap UVW modifier to your object and use the modifier tools to set up the mapping. Texture-coordinate areas that
use the same part of the texture map should overlap in the editor.
From the Edit UVWs dialog menu bar, choose Tools Render UVW Template.
This opens the Render UVs dialog:
Set the Width and Height values to the output resolution you want in the rendered template. You'll usually get good results
by setting the desired width and then clicking Guess Aspect Ratio.
TipWhen creating texture maps for gaming and other real-time 3D engines, be sure to set both dimensions to powers of 2: 256,
512, 1024, and so on.
Change the remaining values as needed. By default, the template is rendered with the edges as white and opaque (alpha=1.0),
and background is empty and transparent (background alpha=0.0), but you have a variety of choices here, as detailed in Render UVs Dialog.
At the bottom of the dialog, click Render UV Template.
This opens a new rendered frame window containing the rendered template as a bitmap. Inspect the output, and if changes are necessary, make them on the Render UVs
dialog and re-render.
When you're satisfied with the results, then on the rendered frame window toolbar, click (Save Bitmap), and then use the file dialog to specify the file type and name. Click Save to export the file.
If you want to use the rendered transparency information in the paint program, be sure to save in a format that supports the
alpha channel, such as TIF or Targa.
Open the exported image in a paint program and use the rendered edges as a guide for painting the texture map. Save the image
Be sure to paint over or erase all the edges so they don't appear in the final texture.
Back in 3ds Max, create a material, set the Diffuse map to Bitmap, and open the file from the previous step.
Apply the material to your mesh object.
The painted texture map follows the outlines set up by the exported UVs.
Example: To use Peel Mode:
The Peel toolset, new in Autodesk 3ds Max 2012, provides an implementation of the LSCM (Least Square Conformal Maps) method of unwrapping texture coordinates, for an easy
and inutuitive workflow in flattening complex surfaces. This procedure shows some of the basic methods available with the
Peel tools used on a simple character model. The idea is to give you a rough idea of how to use them in your own projects
with more-complex objects such as character meshes.
Create or load a model and apply Unwrap UVW to it.
TipIf you want to follow along with this procedure, you can use the same model, which is from the scene file CMan0002-M3-CS.max, included in the [Project Folder]\Scenes folder in your installation of Autodesk 3ds Max 2012. If you're using a computer on which a different user installed 3ds Max, you'll need to look in that user's personal folder.
After opening the file, you might want to select all the bones in the scene and delete them. Also, delete the Skin modifier,
apply a new, blank material, apply a UVW Map modifier, and collapse the stack (or use some other method of resetting the UVs).
Create seams for subdividing the model for peeling.
TipOne handy way to create seams is to select edges () using the additional tools available at that level, such as (Loop). You can then make seams out of the edge selection with (Convert Edge Selection To Seams).
The following illustration shows seams created for the arm and hand.
Typically you'd create seams for the entire character mesh before proceeding.
On the modifier Selection rollout, go to (Polygon) sub-object level and select a polygon on the arm.
On the Peel rollout, click (Expand Face Selection to Seams).
This selects all polygons on the arm enclosed by the seams.
On the Peel rollout, click (Peel Mode).
The Edit UVWs dialog opens with the arm cluster flattened and ready to work with in Peel Mode, along with other, non-flattened
clusters, such as the hand at bottom-left. (Note: Your results might differ, and probably will.)
This demonstrates that, if the Polygon sub-object level is active and any polygons are selected when you activate Peel Mode,
only those polygons are peeled. You'll demonstrate this further in the next step.
NoteThe editor dialog also provides a Peel rollout with the same Peel tools as on the Modify panel, plus some additional tools
for working with pins, which this procedure will cover shortly.
Click to access the Vertex sub-object level, make sure no vertices are selected, and then drag a vertex in an non-peeled cluster
such as the hand. Then drag a vertex in the peeled cluster.
To see this, play the following video:
As you can see, dragging a vertex in a non-peeled cluster moves only that vertex, whereas dragging a vertex in a peeled cluster
affects the entire cluster. This is one of the main purposes of the Peel feature: reshaping a cluster while maintaining its
overall topographic integrity.
One of the main purposes of Unwrap UVW is to make the texture coordinates regular with respect to the mesh, so you don't get
stretching and other textural anomalies. For better visual feedback when doing so, you can turn on the display of the checker
background on the model in shaded viewports.
Undo any changes from the previous step, then open the drop-down list at the top-right of the dialog and choose CheckerPattern
The label already appears, but choosing it from the list activates the pattern, making it visible on the model.
As you can see, the pattern is already pretty regular, thanks to the Quick Peel that Peel Mode applies when you first invoke
it. The remainder of this procedure will simply show some of the tools available in Peel Mode.
For example, to make it easier to match the arm or sleeve cluster to an existing texture, you might want to make it more rectangular.
But first you'll isolate the cluster.
Isolate the cluster(s) you want to work on by selecting other clusters and move them out of the way. Make sure the Vertex
sub-object level is active and that no vertices are selected.
Sometimes it's a good idea to start the peeling procedure by identifying parts of the cluster whose shape you want to keep,
then locking down or "pinning" key vertices. The left side of the cluster is already approximately rectangular, so you can
Note Peel Mode spreads the UVS among pinned vertices (which have blue outlines) on the cluster. Because at least two pins are
needed, the Unwrap UVW modifier chooses two invisible pins by default that are used if you start moving vertices without any
existing pins, but you can specify pins to use. You can pin vertices manually with Pin Selected, as shown in the next step.
Or when (Auto-Pin Moved Vertices) is on, moving a vertex pins it.
If you only create one pin, the other pin will still be invisible and chosen automatically. For this reason, it's a good idea
to pin any vertices that you want to hold still first, and then move any vertices that you want to reposition.
Select the two corner vertices and then click (Pin Selected).
To see this, play the following video:
Note the change in size in the cluster after pinning the two vertices. Because Peel Mode is still in effect, the pinned vertices
exerts a change in the tension of the cluster resulting in the size change.
NoteYou can move a pinned vertex directly by dragging it; it then acts like any other vertex in Peel Mode. The only difference
is that it doesn't respond when you drag other vertices.
Change the zoom level if necessary, then move vertices on the right side until you get a roughly rectangular shape.
To see this, play the following video:
As you drag, all the other vertices move as well; Peel Mode does this to maintain the overall topology.
Notice that, the more pinned vertices there are near the vertex you're moving, the greater the amount of local control you
have. Also, remember that you can always move a pinned vertex directly.
Sometimes while you're peeling you might want to subdivide a cluster partially, such as a head texture from the back of the
neck to the crown of a head. We'll simulate that in the next couple of steps.
Starting at the cluster outline, select several edges in a line.
On the Explode rollout, click (Break).
The edges separate, pulled apart by Peel Mode's retensioning effect.
Following are some additional tools you might want to use with Peel Mode:
To create a new cluster, select some contiguous polygons and click (Reset Peel). This breaks off the selection as a cluster, applies a Quick Peel, and normalizes the cluster.
To remove pins from vertices, select the vertices and click (Unpin Selected). For other pin-related tools, see Pins group.
After you apply the Unwrap UVW modifier, its interface appears on the Modify panel, comprising the modifier stack plus several
Modifier Stack display
Normally, when you apply Unwrap UVW to an object, the modifier stack provides access to texture coordinates at the Vertex,
Edge, and Face (Polygon) sub-object levels. The Vertex and Edge sub-object levels are useful for making UVW vertex and edge
selections in the viewports, where texture mapping on the object surface is more readily visible, and the Edge level is also
useful for setting up edge selections that you can later convert to seams for use with the Pelt and Peel tools.
If you apply Unwrap UVW to an active face or polygon selection of an Editable/Edit Mesh/Poly object, or to an active patch
selection of an Editable/Edit Patch object, only that selection is available for editing with the modifier. If you then change
the face or polygon selection in the object, the modifier updates the inherited selection and, again, makes only those faces
or polygons available for editing.
When you first apply the Unwrap UVW modifier to an object, no sub-object level is active (even though one of the sub-object
buttons on the Selection rollout is always highlighted). You can access a sub-object level from the modifier stack or Selection
rollout, or you can just open the Edit UVWs dialog, which activates the Vertex sub-object level, unless a different level
is already active. While the editor is open, the sub-object level is synchronized among the modifier stack, the Selection
rollout (see following) and the Sub-object Selection toolbar on the Edit UVWs dialog. When you activate a sub-object level in one, it's also activated in the others. Similarly, selecting
sub-objects in a viewport selects them in the editor and vice-versa.
When you close the editor, the current sub-object level remains active. You can exit this level in the modifier stack display
by clicking the modifier name or the highlighted level.
This rollout contains tools for selecting texture coordinates for manipulating with other tools in the Unwrap UVW modifier.
NoteSome tools here are for selecting sub-objects procedurally rather than explicitly. For example, the (Grow: XY Selection) tool automatically selects sub-objects connected to the current selection. Such tools work in object
(XY) space, as opposed to the comparable tools on the Edit UVWs dialog, which work in texture (UV) space.
For example, say you have a character mesh whose geometry is a single element, but whose texture coordinates are separated
into different clusters (head, hands, etc.), for mapping purposes, in the editor. If you go to the Polygon sub-object level
of the modifier on the command panel, select a polygon in the viewport, and click the Grow button repeatedly, eventually you'll
select the entire model. But if you do the same in the editor, starting with one selected polygon, the most you can ever select
with the Grow tool is the cluster to which that sub-object belongs, such as the head.
The following video shows a sphere with Unwrap UVW applied, which was then used to flatten the mapping, resulting in several
UVW clusters. First, a few vertices are selected in one cluster in the viewport and the Grow: XY Selection is clicked repeatedly,
growing the vertex selection beyond the cluster. Then the vertices are deselected, and a vertex is selected in the cluster
in the editor. This time, clicking the Grow button in the editor repeatedly again grows the selection, but not beyond the
Vertex/ Edge/ Polygon
Enables selection at the respective texture sub-object level. These buttons are the equivalents of the sub-object levels on
the modifier stack (see preceding) and on the Edit UVWs dialog.
Select by Element XY Toggle
When on and and a sub-object level of the modifier is active, clicking an element in the modified object selects all sub-objects at the active level in that element. This is different from the Select by Element UV Toggle on the Edit UVWs dialog toolbar, which applies to clusters of texture coordinates.
Modify Selection group
Grow: XY Selection
Expands the selection by selecting all sub-objects connected to selected sub-objects.
For an explanation of the difference between this Grow tool and the one in the UV editor, see the introduction to this section.
Shrink: XY Selection
Reduces the selection by deselecting all sub-objects adjacent to non-selected sub-objects.
Loop: XY Edges
Expands the selection as far as possible, in alignment with selected edges. Loop applies only to edge selections, and propagates
only through junctions of even numbers of edges.
Ring: XY Edges
Expands an edge selection by selecting all edges parallel to the selected edges. Ring applies only to edge selections.
Select By group
When on, prevents the selection of sub-objects not visible in the viewport.
Point-to-Point Edge Selection
When on, at the the Edge level you can select connected edges by clicking successive vertices on the object. While the tool
is active, a rubber-band line connects the last vertex you clicked on with the mouse cursor.
To exit from making the current selection, right-click once. At that point, the tool remains active so you can start a new
selection elsewhere on the object. To exit the tool completely, right-click a second time.
Select by Planar Angle
When active, you can select contiguous coplanar polygons with one click. Turn this on and use the numeric setting to specify
the threshold angle value that determines which polygons are coplanar. Then click a polygon to select it and all contiguous
polygons whose angles are less than the threshold value.
Select By Planar Angle is available only at the Polygon sub-object level.
Select by Material ID: XY
Enables face selection by material ID. Specify the material ID to select, and then click Select By Material ID.
Select By Material ID is available only at the Polygon sub-object level.
Select by Smoothing Group: XY
Enables face selection by smoothing group. Specify the smoothing group to select, and then click Select by Smoothing Group.
Select by Smoothing Group is available only at the Polygon sub-object level.
When on, you can adjust one texture vertex at a time by dragging a vertex on the model in the viewport. When you do so, the
vertex doesn't move in the viewport, but the mapping changes as a result of the vertex moving in the editor. To see the mapping
change as you tweak vertices, the object must be mapped with a texture and the texture must be visible in the viewport.
If the Edit UVWs dialog is open, it updates in real time. Applies at the modifier level and all sub-object levels.
Quick Planar Map
Applies planar mapping to the current texture-polygon selection based on the orientation of the Quick Map gizmo.
Using this tool "breaks" the selected texture polygons off as a separate cluster, which is then scaled to fit the editor extents,
using the alignment specified on this rollout.
Display Quick Planar Map
When on, a rectangular planar mapping gizmo, applicable to the Quick Planar Map tool only, appears juxtaposed over the face
selection in the viewports. You cannot adjust this gizmo by hand, but you can use the following control to reorient it.
X/Y/Z/ Averaged Normals
Choose the alignment for the quick planar map gizmo from the flyout: perpendicular to the object's local X, Y, or Z axis,
or based on the faces' average normals.
NoteAlthough the X icon shows by default, the actual default choice for this setting is Averaged Normals.
Restores the UVW coordinates to their previous state on the modifier stack; that is, the coordinates inherited from the stack
by the Unwrap modifier.
Clicking this is almost the same as removing and reapplying the modifier, except that a map assigned in the Edit UVWs dialog
is not deleted. For example, if you forgot to turn on the Generate Mapping Coordinates check box for an object, and then applied
the Unwrap UVW modifier, the modifier would have no UVW coordinates to use and its settings would be wrong. If you then go
back in the Stack and turn on Generate Mapping Coordinates, you'd need to click the Reset UVWs button. When you click this
button, an alert warns you that you're losing any edits you've made.
Saves the UVW coordinates to a UVW (.uvw) file.
Loads a previously saved UVW file.
Each object can have up to 99 different UVW mapping coordinate channels. The default mapping channel (from the Generate Mapping
Coordinates toggle in the object’s creation parameters) is always channel 1. You can specify texture coordinates for any channel by using a different Unwrap UVW or UVW Map modifier
for each channel.
Sets the identification number of the texture coordinates controlled by this modifier. This channel value corresponds to the
Map Channel value set in a map’s parameters, so that the modifier controls how maps set to the same channel are applied to
the object surface. Default=1. Range=1 to 99
Please note the following important points about map channels in the Unwrap UVW modifier:
Each modifier contains edits to only one channel, set in the modifier.
The mapping in this modifier must use the same channel set in the material's image map (see following list).
Changing the map channel in the modifier opens a Channel Change Warning dialog that gives you the option to copy the existing
edits to the new channel, or abandon them and use the mapping this channel contained before this modifier changed it (see
To apply different mapping coordinates for different maps on the same object, use a new modifier with a unique map channel
per image map. You can collapse the stack when finished, and the mapping is preserved.
The map channel setting is available in various places in 3ds Max, as follows:
Generate Mapping CoordsThis check box, present in the creation parameters of most objects, assigns map channel 1 when on.
UVW Map, UVW Xform, and Unwrap UVWs modifiersThese modifiers let you set the map channel to 1 through 99, thus specifying which UVW coordinates the modifier uses. The
modifier stack can pass these channels simultaneously for any face.
Material Editor Channel AssignmentYou assign the channel to be used by a map on the Coordinates rollout at the map level in the Material Editor. The Explicit
Map Channel option must be active.
NURBS Surface Objects and Sub-ObjectsLet you specify which map channel the surface uses.
Vertex Color Channel
Define the mapping channel as a vertex color channel by choosing this option. Be sure to match any material mapping in the
coordinates rollout to be Vertex Color as well, or by using the Assign Vertex Colors utility.
The Peel tools provide an implementation of the LSCM (Least Square Conformal Maps) method of unwrapping texture coordinates,
for an easy and inutuitive workflow in flattening complex surfaces. This rollout also provides access to the Pelt method of
unwrapping texture coordinates, as well as seam tools for use by the Peel and Pelt tools.
For a brief demonstration of how to use the Peel tools, see this procedure.
NoteThe Peel tools are also available on the Peel rollout in the Edit UVs dialog. That rollout also includes tools for working with the Pin aspect of the Peel feature. When using
Peel, pinned vertices are held in place while the rest of the vertices move.
Performs a "best-guess" Peel operation on texture vertices (except pinned ones) by distributing vertices evenly based on
their average locations while trying to maintain existing polygon shapes.
Quick Peel is suitable for simple texture-mapping applications, but for better control, use Peel Mode instead (see following).
NoteIf you use Quick Peel at the Polygon level and any polygons are selected, only those polygons are affected. Otherwise, all
clusters are affected.
TipIn some cases, repeated applications of Quick Peel can improve the results.
Applies a Quick Peel (see preceding) and then stays active so you can adjust the layout of the texture coordinates interactively.
You do so by dragging sub-objects in the Edit UVWs dialog window, which redistributes all vertices in the cluster evenly around
any pinned vertices.
While Peel Mode is active, you can create seams with the Edit Seams and Point-to-Point Seams tools (see following), and they
automatically "peel" off as you go. Alternatively, in the editor, select some edges and use the Break tool to split the edges and automatically re-peel the cluster.
When Auto-Pin Moved Vertices is on (the default), moving a sub-object in Peel mode pins (locks) all vertices belonging to the sub-object.
NoteIf you activate Peel Mode at the Polygon level with selected polygons, only those polygons are subject to peeling, even if
you switch to a different sub-object level (while Peel Mode is active). Otherwise, all clusters are affected.
Merges existing map seams, converts Peel seams to new map seams, and then Peels and normalizes the resulting clusters. With
nothing selected, Reset Peel affects all polygons. With a polygon selection, the borders of the selection are separated from
the other clusters and become new map seams.
Use Reset Peel to reconnect map seams on previously mapped geometry, or to quickly break off and Peel a selection.
Applies pelt mapping to selected faces. Clicking this button activates Pelt mode, in which you can adjust the mapping and
edit the pelt map.
NotePelt mapping always uses a single planar mapping for the entire pelt. If you've applied a different type of mapping, such
as Box, and then switch to Pelt, the previous mapping is lost.
Use seams to specify cluster outlines for Peel mapping (see preceding) and pelt mapping, as well as to spline mapping (when you use manual seams). Peel/pelt seams are blue, as opposed to the green Map seams that indicate cluster borders.
Peel/Pelt seams (left) are converted to Map seams (right) after peeling.
Lets you create pelt/peel seams by selecting edges with the mouse in the viewports. Available at all sub-object levels of
the Unwrap UVW modifier.
Using Edit Seams is similar to standard edge selection, with one difference: Designating seams is cumulative by default. That
is, you need not hold Ctrl to add edges to the seam collection. With Edit Seams on:
To designate an edge as part of a seam, click the edge. This does not remove edges currently in seams.
To designate multiple edges as seam edges, drag a region.
To remove one or more edges from the current seams, hold Alt and click an edge or drag a region.
Lets you specify pelt/peel seams by selecting vertices with the mouse in the viewports. Seams you specify with this tool
are always added to the current seam selection. Available at all sub-object levels of the Unwrap UVW modifier.
In this mode, after you click a vertex, a rubber-band line extends from the vertex you clicked to the mouse cursor. Click
a different vertex to create a seam, and then continue clicking vertices to create a seam from each vertex to the previous
one. To start at a different point in this mode, right-click, and then click a different vertex. To stop drawing seams, right-click
again, or click the Point-to-Point Seams button again to turn it off.
TipWhile Point-to-Point Seams is active, you can pan, rotate, and zoom the viewport at any time using contextual controls (middle-button
drag, Alt+middle-button drag, turn mouse wheel, respectively) to access a different part of the mesh surface. You can also navigate
using the ViewCube and SteeringWheels. After doing so, 3ds Max still remembers the last vertex you clicked and draws an accurate seam at the next click. Similarly, you can adjust the viewport
using the viewport control buttons and then return to selecting the seam. If the control requires more than a single click, such as Pan, exiting the control
by right-clicking in the viewport restores the rubber-band line, extending from the last vertex you clicked.
TipThe algorithm Point-to-Point Seams uses to calculate a path might create a different seam than what you have in mind. If this
happens, undo (Ctrl+Z) and specify the desired path by plotting points closer together.
Convert Edge Selection To Seams
Converts the current edge selection in the modifier to pelt/peel seams. These seams are added to any existing seams. Available
only at the Edge sub-object level of the Unwrap UVW modifier.
Expand Face Selection to Seams
Expands the current polygon selection to the seam outline. If multiple seam outlines exist and each contains selected polygons,
the expansion takes place for only one outline (based on the highest polygon ID); the rest are deselected. Available only
at the Polygon sub-object level of the Unwrap UVW modifier.
These controls let you apply and adjust one of four different mapping gizmos to a polygon selection.
NoteWhile one of the projection modes is active, you can edit the gizmo, but not change the selection.
Applies planar mapping to selected polygons.
Make a polygon selection, click Planar Map, adjust the plane gizmo using the transform tools and the Align Options tools, and then click Planar Map again to exit.
Applies cylindrical mapping to selected polygons.
Make a polygon selection, click Cylindrical Map, adjust the cylinder gizmo using the transform tools and the Align Options tools, and then click Cylindrical Map again to exit.
NoteWhen you apply Cylindrical mapping to a selection, 3ds Max maps each face to the side of the cylinder gizmo that most closely matches its orientation. For best results, use Cylindrical
mapping with cylinder-shaped objects or object parts.
Applies spherical mapping to currently selected faces.
Make a polygon selection, click Spherical Map, adjust the sphere gizmo using the transform tools and the Align Options tools, and then click Spherical Map again to exit.
Applies box mapping to the currently selected faces.
Make a polygon selection, click Box Map, adjust the box gizmo using the transform tools and the Align Options tools, and then click Box Map again to exit.
NoteWhen you apply Box mapping to a selection, 3ds Max maps each face to the side of the box gizmo that most closely matches its orientation. For best results, use Box mapping
with box-shaped objects or object parts.
Align Options group
Use these controls for aligning the mapping procedurally.
Aligns the mapping gizmo to the X, Y, or Z axis of the object's local coordinate system.
Adjusts the mapping gizmo's position, orientation, and scale to fit that of the polygon selection, based on the selection's
extents and average polygon normals.
Reorients the mapping gizmo to face the active viewport and adjusts its size and position as necessary to fit the extents
of the polygon selection.
Scales the mapping gizmo to the extents of the polygon selection and centers it on the selection. Does not change the orientation.
Moves the mapping gizmo so that its pivot coincides with the center of the polygon selection.
Reset Mapping Gizmo
Scales the mapping gizmo to fit the polygon selection and aligns it with the object's local space.
You can apply regular texture coordinates to irregular objects using these tools.
Applies spline mapping to the currently selected faces. Clicking this button activates Spline mode, in which you can adjust
the mapping and edit the spline map.
Unfold Strip from Loop
Provides a fast way to unwrap geometry along a linear path, using the object's topology. To use, select an edge loop parallel
to the side to unwrap and then click this button. This can cause a significant scale change in the texture coordinates, so
typically you would then use a Pack tool to bring them back into the 0 to 1 standard UV range.
TipUnfold Strip From Loop uses the Ring method to find parallel edges, so for best results use it on regular geometry. You can use the Ring function to see how it
will find edges.
1. Original lofted object with default checker pattern applied and edge loop selected
2. After applying Unfold Strip From Loop (closeup view)
3. After selecting parallel edge loops with Ring UV and applying Space Horizontally (closeup view)
Use these settings to specify modifier defaults, including whether and how seams appear.
These settings determine whether and how seams appear in the viewports:
When on, mapping cluster boundaries appear in the viewports as green lines. You can change this color by adjusting the Display seams color.
When on, peel and pelt boundaries appear in the viewports as blue lines. For more information, see Peel rollout.
The display thickness setting applies to both pelt seams and map seams:
ThickDisplays map seams and peel/pelt seams on object surfaces in the viewports with relatively thick lines. The line thickness
increases when you zoom the view in and decreases when you zoom out. This is the default choice.
Thin Seam DisplayDisplays map seams and peel/pelt seams on object surfaces in the viewports with relatively thin lines. The line thickness
remains constant as you zoom the view in and out.
This option is used mainly for texture baking. When on, the version of the Unwrap UVW modifier automatically applied by Render To Texture, named, by default, Automatic Flatten UVs, does not reflatten the faces. Also, make sure that both Render To Texture and
the modifier use the same map channel.
When on, scales the mapping coordinates to fit into the standard coordinate mapping space: 0 to 1. When off, the mapping coordinates
are the same size as the object. The map is always tiled once in the 0-1 coordinate space; the part of the map based on its
Offset and Tiling values on
For example, if you take a sphere of 25 units that's planar mapped from the top, and then apply Unwrap UVW and turn off Normalize
Map, then when you open the editor, the radius of the sphere's mapping coordinates is 25 units. As a result, the texture map
is tiled onto the sphere surface many times. With Normalize Map on, both the sphere and the map fit into the 0-1 coordinate
space, so they're the same size.
In general, for best results, leave Normalize Map on. One reason to turn it off would be to turn it off is if you want to
map several elements of different proportions with a texture of a specific aspect ratio, such as brick, keeping the texture
the same size on each object.
The heart of the Edit UVWs dialog is a window that displays texture coordinates depicted as vertices, edges, and polygons,
collectively called sub-objects. By default, these match the geometry of the mapped object; by editing the coordinates you
change their positions in relationship to the object mesh. This gives you fine-grained control over how your texture maps
"fit" your models.