The tools on the Motion Capture rollout on the Motion panel are typically used for working with raw motion-capture data. You can also load standard BIP files using Load Motion Capture File. For example, you might do this if you want to loop the motion.
This rollout includes tools for:
The buttons in the bottom row are used mainly with marker files, although the calibration controls also work with raw BVH files. Import, calibrate, and filter marker files (CSM) using tools on the Motion Capture rollout. Markers are placed on an actor during motion capture to identify joints; calibration lets you adjust the biped relative to the original marker positions if necessary. Load only raw marker files with no key reduction or footsteps to enable marker calibration controls.
Raw motion data is automatically stored in the motion-capture buffer when files (CSM, BVH, and BIP) are loaded using Load Motion Capture File. This buffered raw motion data is independent of the biped motion in your scene, and can be used in various ways:
When you load a motion-capture file, the motion-capture buffer is loaded with motion-capture data from that file. This buffer is altered during calibration. It is also used to show the motion-capture markers and trajectories.
Internally, there is only one motion-capture buffer. It is often large, so its contents are not saved before a file load or a calibration. Therefore, if you undo a motion-capture file load, the contents of the motion-capture buffer do not change. That's why you'll still see old markers and trajectories. It is not possible to undo calibration.
Unlike a BIP or BVH file that contains limb rotation data, a CSM marker file contains only marker position data. When a raw marker file is imported, only marker position data is buffered in the motion-capture buffer. 3ds Max uses the marker data to extract limb rotation data to position the biped. After using the calibration controls on the Motion Capture rollout to correct biped scale and posture relative to the markers, use Convert From Buffer to filter the raw marker data to key reduce and extract footsteps.
A motion-capture file should already be in memory. Use Load Motion Capture File on the Motion Capture rollout to import a motion-capture file if one is not already be in memory.
To compare raw and filtered trajectories:
As you select various biped parts, two trajectories are displayed. The yellow trajectory represents raw motion-capture data in the motion-capture buffer; the purple trajectory represents the filtered data.
A red stick figure appears, representing the raw motion-capture data.
The biped, which represents filtered motion-capture data, and the red stick figure, which represents the raw data, play back together.
To import a motion-capture file:
3ds Max opens the Motion Capture Conversion Parameters dialog.
The biped adapts itself to the motion data. If Footstep Extraction is turned on, footsteps appear.
If correction is necessary, adjust biped scale first. Keyframe adaptation takes place in order to accommodate a biped scale change.
The remaining steps in this procedure are optional, unless you need to calibrate motion-capture files.
Key Adaptation takes place when you exit Talent Figure mode. Now, biped limb positions relative to the markers can be adjusted.
Load these files in the Motion Capture Conversion Parameters dialog when you import similar marker files in the future.
At this point, you can use (Convert From Buffer) to extract footsteps and reduce keyframes. Both scale and position adjustments will be incorporated. Save the motion as an optimized BIP file.
Key reduce and extract footsteps from raw motion-capture data. Load BIP, CSM, or BVH files. After you open a file, the Motion Capture Conversion Parameters dialog opens. Following are descriptions of settings in the Open dialog.
Turn on to change the biped structure to match the structure stored in the BIP file. The file loads with the stored biped structure. This is an Open dialog option.
This option is unavailable when you load a BIP file into a clip or onto a biped that is in Edit Clip mode, because all the clips in the motion flow would have to be adapted.
Sets the lowest starting foot height to Z=0. This is an Open dialog option. Default=on.
In 3ds Max, the height of a motion clip can be retained. This is important if you want to retain the height of a motion clip for motions adapted to characters of different sizes. If, for example, the character is jumping off a rock, and you want to retain the Z position of the character, you would turn this option off. Leave this option off if Motion Flow motions must be blended that begin and end at different heights, such as three clips that have the character mounting a bicycle, riding the bicycle, and dismounting the bicycle.
Turning off this option can, however, cause a jump in the motion during motion flow transitions. Turn this on for smooth transitions in Motion Flow mode. If adaptation takes place, the height is set so that the lowest foot at frame 0 starts at the Z=0 height. This lines up clips along the Z-axis and creates smooth transitions.
First load raw marker data and turn on Show Markers to help you decide if calibration is necessary. If both scale and position calibration are necessary, calibrate scale first (Talent Figure mode) and then calibrate limb position. 3ds Max adapts biped keys after biped scale is changed in Talent Figure mode. Orient the biped limbs relative to the markers and click Adjust Talent Pose to apply this offset to the entire animation. Save Talent Figure Structure and Talent Pose to a FIG and a CAL file, respectively. Load a FIG and a CAL before loading a marker file that requires the scale and position offsets contained in these files.
Filters the most recently loaded motion-capture data. This data is stored in the motion-capture buffer. Displays the Motion Capture Conversion Parameters dialog.
The most recently imported motion-capture file is stored in its raw form in the motion-capture buffer. Convert From Buffer provides a quick way to try new conversion parameters in the Motion Capture Conversion Parameters dialog.
Pastes a frame of raw motion-capture data to the selected parts of the biped.
After importing a motion-capture file, you might discover a subtle movement has been lost in the process of reducing keyframes. Paste From Buffer can add a keyframe from the raw motion-capture data to a selected biped body part to restore this motion. Turn on Auto Key before using Paste From Buffer, or click Set Key after using Paste From Buffer to store the new position in a key.
Displays raw motion-capture data as a red stick figure.
Use Show Buffer to compare raw and filtered motion-capture data. Ideally, the motion of the biped and the red stick figure are very similar. If this is not the case, alter the filter parameters and import the motion-capture file again, or select a biped object and use Paste From Buffer at selected frames to restore the lost motion.
Raw motion-capture data is buffered for the currently loaded or most recently imported motion-capture file, allowing easy comparison of the raw and filtered motion data. Show Buffer displays a red stick figure representing the raw buffered data; compare this to the filtered motion of the biped during playback.
Displays buffered raw motion-capture data as yellow trajectories for the selected biped body parts.
Use Show Buffer Trajectory to display a trajectory based on the buffered raw motion-capture data for any biped body part. Use this in combination with Show/Hide Trajectories on the Display rollout to see how closely the raw and filtered data match.
Converts one or more CSM or BVH motion-capture files to filtered BIP format. Displays the Motion Capture Batch File Conversion dialog.
After loading a raw marker file, turn on Talent Figure mode to scale the biped relative to the markers. Calibration for the entire marker file takes place when you exit Talent Figure mode.
Keyframe adaptation takes place in order to accommodate the new biped scale; because of this, you should adjust the biped scale before adjusting the biped position relative to the markers.
Use Rubber Band mode on the Biped rollout and Non-Uniform Scale to size the biped in Talent Figure mode.
Ideally, you will not need to use this feature. When loading a motion-capture file, 3ds Max attempts to extract the appropriate figure scale from the given data. Use Talent Figure mode only if the extracted scale of the biped doesn’t match the scale of the original talent. Even minor differences in scale will alter the motion.
Saves a Talent Pose adjustment as a CAL file.
Save a CAL file after adjusting the biped relative to the markers. A CAL file is used for processing marker files that require the same adjustment. A CAL file can be loaded in the Motion Capture Conversion Parameters dialog during marker file importation.
Opens the Marker Display dialog, with settings for specifying how markers are displayed.
Marker and marker names are displayed around the biped. You can use these to spot and adjust discrepancies; for example, the biped elbow position relative to the elbow marker. For information on how to correct these discrepancies, see Talent Figure mode and Adjust Talent Pose.
Motion-capture and marker data typically have keys at every frame. Filtering motion-capture data reduces keys, making the job of altering or personalizing the motion data much simpler. Other filtering options include footstep extraction, applying the skeletal structure stored in the motion-capture file to the biped, looping the data, importing a portion of the motion-capture file, and selecting tracks to load.
Converts one or more CSM or BVH motion-capture files to filtered BIP format.
The Marker Display dialog lets you specify how markers from character studio marker (CSM) files are displayed in the viewports.