Noise

Can be used to create many different types of effects.

Find this texture in the Create bar. To apply this texture as a texture map, see Map a 2D or 3D texture.

Threshold

The number added to the whole fractal effect, making it uniformly brighter. If some parts of the fractal are pushed up out of range (greater than 1.0), they are clipped to 1.0. If the Volume Noise is used as a bump map, it appears as plateau regions.

Amplitude

Scaling factor applied to all the values in the texture, centered around the texture's average value.

• When you increase Amplitude, the light areas get lighter and the dark areas get darker.
• If Noise is used as a bump map, increasing Amplitude results in higher bumps and deeper valleys.
• If set to a value greater than 1.0, the parts of the texture that scale out of range are clipped. On a bump map, they display as plateau regions.

  Ratio

  Controls the fractal noise frequency. Increase this value to increase the fineness of the fractal detail.

  Frequency Ratio

  Determines the relative spacial scale of the noise frequencies. If not a whole number, the fractal does not repeat at the UV boundaries. For instance, a cylinder with default placement displays a seam.

  Depth Max

  Controls how much calculation is done by the Noise texture. Since the Fractal texture process produces a more detailed fractal, it takes longer to perform. By default, the texture chooses an appropriate level for the volume being rendered. Use Depth Max to control the maximum amount of calculation for the texture.

  Inflection

  Applies a kink in the noise function. Useful for creating puffy or bumpy effects.

  Time

  Used to animate the Noise texture. You can keyframe the Time attribute to control the rate and amount of change of the texture.

  Frequency

  Determines the fundamental frequency for the noise. As this value increases the noise becomes more detailed. It has the inverse effect of the scale parameter.

  Implode

  This warps the noise function in a concentric fashion about a point defined by the Implode Center. At a value of zero there is no effect, while at a value of 1.0 it is a spherical projection of the noise function, creating a starburst effect. Negative values can be used to skew the noise outward instead of inward.

  Implode Center

  This defines the center UV point about which the implode effect is defined.

  Noise Type

  Determines which noise to use during the fractal iteration.

  Perlin Noise

  The standard 3D noise used in the solidFractal texture.

  Billow

  A sum of 3D noise that has a puffy, cloud like effect.

  Wave

  A sum of 3D waves in space.

  Wispy

  A Perlin noise that is uses a second noise as a smear map; this makes the noise stretch out in places, looking wispy. When the time value is animated the smear texture is moved causing an undulating effect. It creates an effect similar to thin clouds being blown by wind.

  SpaceTime

  A 4-dimensional version of the Perlin noise, where time is the 4th dimension.

  Density

  Controls how many cells are imbedded in the medium used by the Billow noise type.

  At 1.0, the medium is completely packed with cells. Reduce this value to make the cells sparser. If the texture is used as a bump map, low values for Density results in smooth looking surfaces with occasional bumps.

  Spottyness

  Controls the density randomization of individual cells used by the Billow noise type.

  When set close to 0, all the cells are the same density. As you increase Spottyness, some cells are randomly denser or thinner than others.

  Size Rand

  Controls the randomization of the size of the individual blobs used by the Billow noise type. When it is close to 0, all the cells are the same size. As you increase Size Rand, some cells are smaller than others, in a random fashion.

  Randomness

  Controls how the cells for the Billow noise type are arranged relative to one another. Set to 1.0 for a more natural random distribution of cells.

  If set to 0, all the spots are laid out in a regular pattern. This can provide interesting effects when used as a bump map—for instance, you can make things like insect eyes, or machine-tooled raspy surfaces.

  Falloff

  Controls the way intensity falls off for individual blobs for the Billow noise type.

  Linear

  A uniform falloff from the center to a value of zero at the edges of the blobs.

  Smooth

  More natural looking, using a gaussian falloff.

  Fast Bubble

  Fast focuses the intensity more towards the center of the blobs.

  Uses a reverse falloff, fading to zero at the blob center.

  Num Waves

  Determines how many waves to generate for the Wave noise type. The larger the number, the more random-looking and slower the texture.