Artisan Tool Settings

Brush section

Use the settings in this section to define the brush stamp shape, size, orientation.

Note

Brushes do not show up in Visor on Microsoft^® Windows^® if your MAYA_LOCATION environment variable has backslashes as path delimiters. You can correct this by changing the back slashes to forward slashes in the environment variable (Control Panel > System > Advanced).

Radius (U): If you are using a stylus, set the upper or maximum possible radius for the brush. No matter how hard you press the stylus, the brush radius will not exceed this radius. If you are not using a stylus, this setting defines the radius for the brush. The maximum value is 50 when using the slider; but if you use the hotkey (press b and drag the left mouse button) you can set a value higher than 50.
Radius (L): If you are using a stylus, set the lowest or smallest possible radius for the brush when pressure is applied to the stylus. If you are not using a stylus, this setting is not used.
Opacity: Using the Opacity setting, you can produce more gradual changes to achieve more subtle effects. When you set Opacity to 0, your brush stroke has no effect.
Accumulate Opacity: Accumulate opacity when a single stroke passes over itself.

This option is in all Artisan tools except the Paint Select Tool, Paint Set Membership Tool, and Paint Fluids Tool.
Profile: Click a brush profile. This determines the shape of the area affected by the selection.

In addition to the four preset brush profiles, you can select an image to define the brush stamp profile. Maya provides 40 additional brush shapes in the brushShapes directory, which is located in Maya's default installation directory.You can create your own shapes using any file format supported by Maya. Maya uses the luminance values of the image and scales the image to 256x256.

To select an image, click the Browse button, select the shape and click Open. Adjust the Stamp Spacing to get the effect you want.

To select the last opened image, click the icon to the left of the Browse button. If you select an image file provided with Maya in the brushShapes directory, this icon changes to show what the shape is.
Rotate To Stroke: Determines the alignment of brush shapes that are not uniformly round. Turn this option on to align the stamp shape relative to the direction you move the brush. Turn this option off to align the stamp shape relative to the up vector. The stamp shape retains its orientation when you change the view.

Stroke section

Use the options in this section to define how brush stamps are applied when you paint a stroke

Screen Projection: When this option is off (the default), the brush is oriented along the surface. When this option is on, the brush is oriented on the view plane and the stamp is projected on the selected surface.

You will typically want to leave this option off if you are using an Artisan brush. You may want to turn it on when using an Artisan brush if the surface is very convoluted.

If you are using a Autodesk^®Paint Effects^™ brush (3D Paint Tool only), turn it on if:

the surface has seams
the UVs are cut up
there are multiple surfaces
the surface has uneven parameterization

Using Screen Projection may produce smearing where the surface is nearly perpendicular to the screen and performance may be slower. Simply tumble to make the surface approximately parallel to the screen.

Reflection: Turn on this checkbox for reflections.

Note
Reflection is disabled for the Paint Skin Weights Tool. Skin > Edit Smooth Skin > Mirror Skin Weights can be used as an alternative method to do reflection of the skin weights.
Reflection About Origin: (The Reflection option must be checked to use this option.)

By default the reflection axis is the center of the selection's bounding box. For the reflection axis to be the origin, turn on this checkbox. This is useful if the model is not entirely symmetrical; for example, a creature with a tail that is curled to one side.
Reflection Axis: (The Reflection option must be checked to use this option.)

Check the axis you want to reflect in. The origin for reflection is the center of the selection's bounding box.
Invert Reference Vector: This is available for the Sculpt Geometry Tool only. Turn Invert Reference Vector on to invert the direction of the reference vector of the reflected brush. For details on setting reference vectors, refer to the sculpting information in the NURBS Modeling and the Polygonal Modeling guides.
Stamp Spacing: Clicking the brush on a surface creates a stamp. A brush stroke is made up of many overlapping stamps. You can set how the stamps overlap. If you set Stamp Spacing to 1, the edges of each stamp just touch each other. If you set the spacing to be greater than one, there will be spaces between the stamps. If you set the spacing to be less than one, the stamps will overlap.
Stamp Depth: The Stamp Depth value determines how far the stamp is projected. For example, when you are painting with the 3D Paint Tool where there are folds in the surface, decrease the Stamp Depth value so the paint does not run into other areas of the surface. The default setting is 0.5.
Before Stroke Cmd: For the Paint Selection Tool and Sculpt Geometry Tool only. Type the MEL command and parameters you want to run when you begin a stroke, before the stroke actually starts. For example, for the Sculpt Geometry Tool, you can specify a command that changes the display smoothness for the selected object to fine:

displaySmoothness -full -du 2 -dv 2 -pw 16 -ps 4
After Stroke Cmd: For the Paint Selection Tool and Sculpt Geometry Tool only. Type the MEL command and parameters you want to run immediately after completing a stroke. For example, you can specify a command that subdivides faces after you paint-select them, as follows:

Select a polygon.
Select Edit > Paint Selection Tool > .
In the Paint Operations section, turn off Add to Current Selection.
On the Maya status line, change the pick mask to Poly Faces.
Open the Stroke section of the Tool Settings editor and in the After Stroke Cmd box, enter:
```
ppolySubdivideFacet -dv 1 -m 0 -ch 1
```
Paint the faces you want to subdivide. Each painted face subdivides automatically into four faces when you release the mouse button.

Stylus Pressure section

Use the settings in this section to define the effects of stylus pressure on your strokes when you use a stylus and pressure sensitive tablet. For details on setting stylus pressure, see Set stylus pressure.

Stylus Pressure: Turn this on to activate the effect of pressure on your stylus.
Pressure Mapping/Artisan Pressure: Select which Artisan brush attribute you want affected by stylus pressure. Adding pressure to the stylus increases values for the selected attribute. You can affect Opacity, Radius, or Both.
Paint Effects Pressure (for 3D Paint Tool only): Use these settings to affect stylus pressure when you are using a Paint Effects brush with the 3D Paint Tool. For details, see Set up to paint in 3D in the Paint Effects and 3D Paint Tool guide.

Attribute Maps section

Use the settings in the Attribute Maps section to import and export attribute value maps. For details on mapping, see Map attributes.

Note

You cannot use the Paint Skin Weights Tool to import and export skin weight maps. Instead, use the Import Skin Weight Maps and Export Skin Weight Maps commands on the Skin > Edit Smooth Skin menu.

Import section

Use the options in this section to import attribute maps. For more details, see Import attribute maps.

Map Name: Click Import and select the image you want to map values to.
Reassign Attribute Maps: If you are importing a map that was created in Artisan from multiple surfaces, turn on Reassign Attribute Maps.

Import Value

Select which channel of the imported image you want to use for values.

Luminance: Use the luminance values of the map you are importing.
Alpha: Use the alpha channel values of the map you are importing.
Red, Green, Blue: Use only the Red, Green, or Blue values of the map you are importing.
RGB: For the Paint Vertex Color Tool only, import each of the RGB channel values.
RGBA: For the Paint Vertex Color Tool only, import the RGB and alpha channel values.

Threshold: For the Paint Selection Tool only. Defines the minimum value to be affected by the tool selection type. For example, if you set the Paint Operation type to Select and the Threshold to be 0.5, Artisan selects vertices that are mapped with an imported value equal to or greater than 0.5.

Export section

Use the options in this section to export attribute values (created with the following tools) to an attribute map: Paint Selection, Paint Attributes, Paint Cluster Weights, Paint Jiggle Weights, Paint Soft Body Weights, Paint Fluids, Paint Vertex Color Tool, Paint Fur Attributes, Paint Cloth Properties, Paint (Cloth) Collision Properties and Paint Hair Tools. For more details, see Export attribute maps.

Map Name: Click Export to select a location for the image you want to export paint values to and enter the name of the exported file.

Export Value

Select which image values you want the attribute values exported to.

Luminance: Export to the luminance values of the map.
Alpha: Export to the alpha channel values of the map.
RGB: Export to each of the RGB channel values.
RGBA: Export to the RGB and alpha channel values.

Image Format: Select the format you want to save the image in. You can save the image in any image format supported by Maya. For details, see the Basics guide.

Note
Using .tif format texture files created in Artisan in other applications may produce messages. These messages are harmless and can be ignored.
Keep Aspect Ratio: Turn Keep Aspect Ratio on to maintain the height to width ratio of the attribute map when you export it.
Map Size X, Y: Set the Map Size in the X and Y direction. The default is 256 pixels.

Display section

Define how the brush and surface display.

Draw brush: Turn this on to display the paint tool in the scene view.
Draw brush while painting: Turn this on to display the paint tool’s brush outline when painting on a surface. Turn this off to display only the brush pointer when painting on a surface. Draw brush while painting is off by default.

If you notice slow interaction while you paint, try turning this option off. This greatly improves performance on graphic cards without overlay planes.
Draw brush tangent outline: Turn this on to display the paint tool’s brush outline when you move the pointer over the selected surface. If this setting is off, you will not see the brush outline when you move the pointer over the selected surface.

Note
You can change the brush outline color to one that provides the best contrast with the surface you are painting. For more information, see Change the brush outline color.
Draw brush affected vertices: For the Sculpt Geometry Tool only. Only available when Screen Projection is off in the Stroke section.

Turn this on to highlight the vertices the Sculpt Geometry Tool is affecting as you pass the brush over the selected surface. For more information on the Sculpt Geometry Tool, see Mesh > Sculpt Geometry Tool in the Polygon modeling guide.
Draw brush feedback: Displays additional information on the brush outline indicating the operation the brush is set to perform.
Show wireframe: Displays the wireframes on the selected surfaces.
Color feedback: For Paint Attributes, Paint Cluster Weights, Paint Jiggle Weights, Paint Skin Weights, Paint Soft Body Weights, Paint Set Membership, Paint Fur Attributes, and Paint Hair Tools only.

Turn this option on to display surface attributes as grayscale values. This helps you see the area as you paint and helps identify what the values are (smaller values are darker, larger values are lighter). To display color feedback, you must turn on smooth shading in Maya.

Note
Color Feedback does not work correctly for Degree 1 NURBS surfaces.
Multi-color feedback: For Paint Skin Weights Tool only. Turn on this setting to view the distribution of painted skin weights on your bound geometry as multi-color feedback. The colors that appear on your bound pieces of geometry correspond to the colors of their skeletons’ joints and bones, and they indicate the areas of skin each of their joints affect. You can view Multi-color Feedback in the scene view when in Vertex mode (Display > Subdiv Surfaces > Vertices) or when using the Paint Skin Weights Tool.
XRay Joints: This option is also available from the panel menus. See Shading > X-Ray Joints.

Turn this option on to have wireframe joints display on top of the mesh you are painting. This lets you view the mesh in a shaded mode and easily select wireframe Influence objects without switching between wireframe and shaded views.
Min Color: For Paint Attributes, Paint Cluster Weights, Paint Jiggle Weights, Paint Skin Weights, Paint Soft Body Weights, Paint Fur Attributes, and Paint Hair Tools only. Sets the value at which the minimum color displays. This is useful if your attribute values are very close to each other, making the color feedback display too subtle to detect.
Max Color: For Paint Attributes, Paint Cluster Weights, Paint Jiggle Weights, Paint Skin Weights, Paint Soft Body Weights, Paint Fur Attributes, and Paint Hair Tools only. Sets the value at which the maximum color displays. This is useful if your attribute values are very close to each other, making the color feedback display too subtle to detect.
Display Active Vertices: For the Paint Set Membership Tool only, turn this option on to display the active vertices of a selected set. If this option is turned off, when you select a set on the SetMembership tab, the vertices for that set will be active, but you will not be able to see that they are.

Setup section

This section is unique to the Paint Scripts Tool. For more information, see Set Paint Scripts Tool settings or see artUserPaintCtx in the MEL Command Reference.

Note

The Setup section also appears in the Paint Fur Attributes Tool and Paint Hair Tool because booth these tools use the Paint Scripts Tool editor. Do not edit Setup entries for these tools.