It is important to note
the following limitations:
Fade-Ins:
Avoid having a timeline starting with a fade-in at record timecode
00:00:00:00.
Tape
Names: Avoid using different shots that have the same
timecode and tape name.
Hard-Committing:
Hard-committing a selection of shots creates a new clip with a tape
name of COMMIT, and a source timecode
obtained from the record timecode. There is no need to add this
information to the shot manually. Hard-committing a single shot
preserves the original tape name and timecode.
Start
Timecode: The Start timecode of the timeline should not
be negative.
Frame
Rates: The timeline frame rate has to be the same as the Lustre project
frame rate.
Saving
to a Clip Library: Once you have added a clip to a clip
library, make sure to switch to a different clip library. This both
saves the clip library, and allows Wiretap to broadcast the updated
information about the timeline and clips.
Dual
Library View: In Visual Effects and Finishing applications,
the Dual Library View mode displays the contents of two clip libraries
simultaneously, each in its own panel. When you switch from Dual
Library View back to Single View, the newly-hidden library remains
selected by the application, and is read-only to Wiretap. Lustre
will be unable to render media to the clip library until it is deselected.
Proxies
Off: Lustre can only render to Visual Effects and
Finishing projects for which proxies are disabled.
