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Reformatting Unlinked Clips for Recapture
Unlinking and Relinking Media and Clips
Recapturing Media
Reformatting Examples
The following are suggested procedures for reformatting
a project to a different resolution upon its completion.
To
reformat a project from SD (NTSC or PAL) to HD:
- Shoot
the project at an HD resolution.
- Convert
the material to SD using, for example, a VTR.
- Capture
the SD material into Inferno.
- Complete
the project in SD.
- When
the project is complete, unlink the media.
- Reformat
the unlinked clip to HD.
- Recapture
the original HD material.
- Relink
the clip with the HD media.
To
reformat a project from SD (NTSC or PAL) to DPX:
- Shoot
the project on film.
- Use
a telecine to convert the material to SD.
- Bring
the SD version into Inferno.
- Complete
the project in SD.
- When
the project is complete, unlink the media.
- Reformat
the timeline clip to 2K. Soft effects are scaled automatically.
- Recapture
using the Select Convert Tape to Files option.
- Access
the DPX material corresponding to the SD version shots and reload.
- Relink.
To
reformat a project from NTSC 24p to HD 24p:
- Shoot
the project at 1080 24p.
- Down-convert
the material to NTSC with pulldown added, using tape-to-tape transfer
or telecine.
- Capture
the material into Inferno, removing pulldown. The reel information
in the clip metadata shows that the material originated as 30 fps
interlaced. It contains dual timecode.
- Work
on the project at 24p.
- When
the project is complete, unlink the media.
- Reformat
the timeline clip to HD 1080 24p.
- Recapture
and relink the HD 1080p material.
To
reformat a project from NTSC 30i to HD 24p:
- Shoot
the project at 1080 24p.
- Down-convert
the material to NTSC with pulldown added, using tape-to-tape transfer
or telecine.
- Capture
the material into Inferno.
- Work
on the project in NTSC 30 fps.
- When
the project is complete, unlink the media.
- Reformat
the timeline clip to HD 1080 24p.
- Recapture
and relink the HD 1080p material.
To
reformat a project from PAL to HD 24p:
- Shoot
the project at 1080 24p.
- Convert
the material to PAL using a telecine.
- Capture
the material into Inferno.
- Work
on the project at 24p or in PAL.
- When
the project is complete, unlink the media.
- Reformat
the timeline clip to HD 1080p.
- Recapture
and relink the HD 1080p material.