Using an HDCAM SR, you can capture material from specially formatted double-speed and stereoscopic tapes.

Double-speed tapes allows you to capture material twice as fast. Stereoscopic tapes essentially stores in an interlaced timing two progressive clips; a 60i (50i) “clip” contains two 30p(25p) clips.

This feature does have the following limitations:

• To use this feature, you must use specially formatted tapes. If you insert a regular tape in the HDCAM SR and try to capture it as double-speed or stereoscopic material, the capture fails.
• Audio monitoring is not available during capture.
• When capturing stereo tapes, only audio channels 1 through 8 are available.

To capture material recorded at double-speed:

1. Ensure that the HDCAM SR is connected to the AJA card using a dual-link.
2. Set the HDCAM SR VTR to DBL 422.
3. From the Device Name box, select the HDCAM SR VTR.
4. From the Tape Type box, select 2x-DOUBLE.

   
   

   NoteIf the Input Clip player displays the clip with some colour bias, it is because the player falsely interprets the 4:2:2 signal from the VTR as a 4:4:4 signal. This does not impact the capture; the stereoscopic clip will be captured without that bias. To remove this bias, go to the Engineering menu and set the Input Connection box to Serial 1 4:2:2.
5. Capture the clip. See Capturing Single Clips.

To capture material recorded on stereoscopic tapes:

1. Ensure that the HDCAM SR is connected to the AJA card using a dual-link.
2. Set the HDCAM SR VTR to the stereoscopic setting.
3. In the Input Clip menu of Inferno, select the HDCAM SR VTR from the Device Name box.
4. From the Tape Type box, select 2x-STEREO.

   
   

   NoteIf the Input Clip player displays the clip with some colour bias, it is because the player falsely interprets the 4:2:2 signal from the VTR as a 4:4:4 signal. This does not impact the capture; the stereoscopic clip will be captured without that bias. To remove this bias, go to the Engineering menu and set the Input Connection box to Serial 1 4:2:2.
5. Capture the clip. See Capturing Single Clips.

   The stereoscopic material is captured as a single, regular stereoscopic clip, with two layers, one for each eye. See Stereoscopic Workflow.