You can adjust the behaviour of the algorithm to be optimized for the Image Data Type of your media. The new Image Type option
is available in single-input Keyer nodes and the Regrain tool. See Adjusting Algorithms Based on Image Data Type.
New Pivot and contrast Contrast controls have been added to the Colour Corrector.
The PhotoMap tool is a tone mapper added to the LUT Editor.
The Stereo Anaglyph tool and the Stereo Interlace tool on the EditDesk have been merged into a single tool, and a Dual Image option has been added to it.
Stereo layers can be added in a stereo track to create vertical composites with stereo footage.
Stereo tracks on the timeline now support gap effects and matte containers.
The 720p/50 format is now supported in the Real-Time Deliverables menu.
In Logic Ops in Batch, you can now switch the ordering of the Front and Back inputs using the Swap Inputs button. Also, use
the new clamping option to remove out-of-range values in the resulting image.
It is now possible to control the sensitivity of the Trackball and Wheels of the Avid® Artist Color panel. The same controls are also available for the Jog and Shuttle of the Avid® Artist Transport panel.
You can find these controls in the Pointer section of the Preferences panel.
Bezier curves are now available as parameter-setting curves, such as the ones used in the Animation editor.
In the Modular Keyer, the following nodes can now be added to a Colour Blend (CBlend) node and a Matte Blend (MBlend) node:
Paint, Exposure, and Gradient.
All soft effects and timeline transitions now support 16-bit floating point images.
It is now possible to add a Timewarp soft effect on a matte container and a BFX segment.
In the Batch node bin, the distribution of each tab has been revised to match the content. Also, the Comp/FX tab is now split
into two tabs, making it is easier to locate nodes.
A new single pass shrink algorithm has been added to the Matte Edge Batch node.
